Kogei Artist Vol.10

Ningyo Artist

Shogo Okamoto

A technique called Nugui (“wiping”) is used to give luster to Gofun (a white pigment).

The surface of the Gofun is rubbed with various things to polish it and give it gloss. As I do this work, I believe that the unseen light rays given off by the resulting white surface drive away evil.

I think I am the only person at present in Japan that can produce this type of work, with its mirror-like surface that looks like ivory or like ceramics.

Shogo Okamoto

I believe this sword is made of an incredibly strong substance.

And that strength can be absorbed by people who stand in front of it.

The sword absorbs my energy and then that absorbed energy absorbs evil.

Shogo Okamoto
Shogo Okamoto

That’s the type of work I want to give form to.

I have given this sword the spirituality and strength of a Ningyo doll, and that’s why it’s the “Purification Sword.”

It is a formless spirit given form.

Of course, scientifically and in the real world it’s Gofun. It cannot be swung around to harm people. In witness to yourself, you can use it to ‘cut out’ evil, to purify yourself, to question yourself.

It’s that type of art. If you want to call it art, it’s art. Call it Kogei and it’s Kogei.

Shogo Okamoto
Shogo Okamoto

Shogo Okamoto

Ningyo Artist

Shogo Okamoto

Shogo Okamoto was born as the eldest son of Shoho Menya, the 14th Mensho Kyoto doll artist in a lineage of doll artists that has continued since the Hoei Era (1704 to 1710) of the Edo Period. Traditionally, dolls are alternate forms of sacred existences. They purify the space in which they are displayed and are made with medicinal herbs used in traditional Chinese medicine so that they can be cherished more dearly.

Shogo Okamoto
1982
Born in Kyoto as eldest son of Shouho Menya, 14th Menshou Kyoto doll artist
2002
Dropped out of the Sculpture Department of Osaka University of Arts
2007
50th Amagatsu Association--Now exhibition at Museum of Kyoto
2010
1st Exhibition of Kyoto Dolls to Carry Tomorrow (in Art Kogei Salon in Kyoto Takashimaya Department Store); participated through 5th exhibition in 2018
2016
Accepted into Kyoten Exhibition (at Kyoto City KYOCERA Museum of Art)
2019
Glass case eyeglass doll mini exhibition (at Gallery Maronie in Kyoto)
2020
Solo exhibition "Megami Amps" (at Gallery KEI-FU in Kyoto)
2020
Kyoto Dolls to Carry Tomorrow (in Art Gallery in Kyoto Takashimaya Department Store)
2021
Self-portrait exhibition (at Gallery Maronie in Kyoto)
2021
35th International Exhibition of Art at Kyoto Art Festival (at Kyoto City KYOCERA Museum of Art Annex)
2022
Solo exhibition "My Favorite White" (at Gion Konishi in Kyoto)
2022
Became a member of Kyoto Kogei Association
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